Abstract
- The iPhone 16 Professional’s telephoto digital camera is sorely in want of upgrades to decision and light-weight sensitivity, because it produces noise and blur the principle digital camera would not.
- Telephoto high quality is extraordinarily essential — zoom produces higher portraits, and in some instances, it is the one manner of meaningfully capturing a topic.
- It will make sense for Apple to stuff the iPhone 16 Professional’s main sensor into the 17 Professional’s telephoto digital camera in fall 2025, however the firm may be unpredictable generally.
After I determined to improve from an iPhone 13 to an iPhone 16 Pro final fall, one of many main incentives was gaining a telephoto lens. There have been different causes, after all — corresponding to an always-on show, and Apple Intelligence compatibility for testing functions — however the telephoto was arguably extra essential. Coming from a professional images background, I’ve all the time bristled on the thought of being restricted to a 24mm most important lens or a 13mm ultra-wide, not less than with out shopping for into third-party add-on kits that will or is probably not usable the subsequent time I improve.
I’ve to confess, although, I have been a bit upset with the 16 Professional’s telephoto now that I’ve used for practically 10 months. I am glad I’ve it, and I proceed to make use of it often — nevertheless it’s made me query the worth of shopping for Professional iPhones on the whole, particularly for the reason that base iPhone 17could lastly get an always-on show too.
- Model
-
Apple
- SoC
-
A18 Professional (3nm)
- Show
-
6.3-inch 1,206 x 2,622 pixel decision 120Hz LTPO Tremendous Retina XDR OLED, 120Hz, HDR10, Dolby Imaginative and prescient, 1000 nits (typical), 2000 nits (peak)
- Storage
-
128GB, 256GB, 512GB, 1TB

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What’s mistaken with the iPhone 16 Professional’s telephoto digital camera?
Guarantees versus observe
On paper, it needs to be glorious. It has a 120mm focal size, an f/2.8 aperture, and sensor-shifting optical picture stabilization (OIS) to cut back movement blur. It is true that lots of professional digital camera lenses could have longer focal lengths, and/or adjustable zoom — my favourite Nikon lens was a Nikkor 80-200mm f/2.8 — however 120mm is a good size for portraits, in addition to some occasions when you’re not within the nosebleeds.
In a short time, although, I discovered that the sensor within the telephoto is considerably worse than the one in the principle digital camera. It isn’t about megapixel depend, though 12 megapixels will naturally produce much less element and room for cropping than the principle digital camera’s 48 megapixels. No, the true points are mild sensitivity and stabilization, one or each of which must be higher.
The actual points are mild sensitivity and stabilization, one or each of which must be higher.
In shiny situations, largely noon solar, the telephoto does an honest job. I’ve used it to take many a photograph of my son taking part in on the park. However the second issues transition from “shiny” to only “well-lit,” seen noise begins to creep in. Pictures with purely indoor lighting could be a crapshoot — some end up high quality, however others appear to be I am capturing on a cellphone a decade previous, even when the lighting is not that completely different. It is typically unimaginable to take an indoor motion shot — I’ve seen extreme movement blur that made me query whether or not OIS was working in any respect.
You would possibly say it is unfair to anticipate top quality from one thing less expensive and smaller than pro-level tools, however that argument falls aside if you have a look at photographs from the 16 Professional’s most important digital camera. They’re roundly glorious, even in low mild — I’ve shot images at evening or in darkish rooms that my previous Nikon D300 may by no means have achieved. Clearly, Apple made an intentional resolution to make use of an inferior telephoto sensor. It virtually feels insulting when you think about that right here in Canada, a 16 Professional begins at $1,449 CAD. I would really feel legitimately ripped off if I would spent $1,749 CAD on a Professional Max.

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How Apple can repair its telephoto cameras
Apparent and not-so-obvious modifications
Apple ought to not less than improve its telephoto sensors to match its most important ones. A telephoto may be as essential as a main digital camera, if not moreso — it is not solely higher for portraits, however typically the one manner of capturing a topic in any significant element. For instance you are at a marriage reception — the hole between a 24mm lens and a 120mm one would possibly imply the distinction between filling the body with the couple or largely seeing the dance flooring, and also you should not need to go for the broader shot as a result of the solar is not immediately overhead. You additionally should not need to cross your fingers {that a} telephoto shot can be utilized uncropped.
I would wish to see enhancements to picture stabilization too, however that is perhaps a tall order within the design house smartphone cameras need to work with. An important factor is a sensor with higher low-light sensitivity — any new OIS tech will likely be icing on the cake.
Because the iPhone 17 Professional is rumored to be sticking to the identical magnification because the 16 Professional, in some unspecified time in the future, Apple’s going to need to crack and transfer past 5x zoom. Samsung’s Galaxy S25 Ultra can produce a 10x “optical high quality” zoom, due to a 5x lens with a croppable 50-megapixel sensor. The leap between 5x and 10x is not trivial. I discover {that a} 200mm lens or longer is usually wanted for situations like concert events and wildlife, so the 16 Professional’s 120mm can nonetheless fall effectively quick.

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The prospects for a telephoto improve
In the end…
asherdipps
I would not be shocked to see the iPhone 17 Professional bump its telephoto to the identical 48-megapixel sensor discovered within the 16 Professional’s most important digital camera. Apple loves recycling elements, particularly in a manner that lets it spin them as an improve — simply have a look at the M3 chip within the iPad Air, or any given Apple TV 4K improve. It is also doubtless feeling stress to compete with Samsung, to not point out Google, which put a 48-megapixel 5x digital camera within the Pixel 9 Professional. The Pixel 10 Pro is true across the nook, and it could look horrible if the IPhone 17 Professional was caught with 1 / 4 the decision for years operating.
Apple must wow me with real-world telephoto efficiency earlier than I will think about dropping cash on one other Professional iPhone.
I am shocked at what Apple will put up with, generally, so it is laborious to say a lot with confidence. What I’ll say is that Apple must wow me with real-world telephoto efficiency earlier than I will think about dropping cash on one other Professional iPhone — I could make 2x zoom work if I’ve to in an effort to save lots of of {dollars}. That is cash that may very well be put in direction of a greater standalone digital camera.

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